Tuesday, April 28, 2015

METZ- METZ II Review

METZ
METZ II
Sub Pop Records



Punk rock is not supposed to be pretty. What punk rock is and is not is always up for debate, but most would likely agree that the genre should energize as well as inspire. The Toronto, Ontario, Canada trio METZ magnificently execute both of those ideals on their somewhat eponymous sophomore record METZ II. METZ are following their self-titled highly acclaimed first record that was filled with noisy Albini-inspired punk rock filled with destructive almost nihilistic lyrics. Their first record drew a lot of fair comparisons to acts like the Jesus Lizard or even Nirvana’s noisier tracks. METZ does not change up the formula all that much compared to the first record, but the group still managed to put out a ferociously acceptable follow-up. 

The first noticeable thing about this album is the production. The album incorporates the raw almost live performance recording style that Steve Albini popularized which works for METZ about as well as it could work for any band. The group sounds raw yet tight and structured. The sound does an excellent job of foreshadowing a live performance by METZ which is a dynamic almost overwhelming experience and is sure to stay that way as they tour on METZ II. The piercing growl of lead singer Alex Edkins is on full display right from the opening track “Acetate” and never slows down on this 30 minute recording. “Acetate” which also is the lead single for this record comes equipped with monstrous guitar riffs coupled with Chris Slorach’s crunchy and textured bass. Both instruments match every strum with a drenching amount of feedback and reverberation that never give the listener a moment of peace. This track also includes a segment of Macarena that add a bit of depth and groove unexpected from METZ. “Acetate” proves a wider range of instrumentation could be something METZ can implement in the future to heightened success much like the way Iceage did with last year’s Plowing Into the Field of Love. The track is a preview for the urgent pace METZ is about to set for the rest of the album. 

“Acetate” is followed by “The Swimmer” which has a slight resemblance to “Negative Creep” by Nirvana. The track is fueled by fast paced drums, break neck guitar, and Edkins howling, “You let me drown.” The third track on this album, “Spit You Out”, encompasses everything I hope to hear from METZ. Pulverizing guitars, a vocal cord shredding delivery from Alex Edkins, and a ripping guitar solo that uses some excellent echo and feedback pedal work. METZ even harmonizes on this track nicely and really shows off how cohesive and big they can be as a trio. The track’s noisy atmosphere leads to a song that you just have to unwind with because it is relatively unpredictable on first listen. This track could be plugged in anywhere on Bleach or Goat and be right at home.
Unfortunately after “Zzyzx” which is an interlude of noise and vocal over dub the band seems to run out of ideas although their stamina remains unwaivered. The tracks begin to bleed into each other a bit too closely. All of these tracks keep the same big riffs and reverberated bass, but distinguishability starts to become an issue. There are still some great sounds to explore on the second half of the record like another moment of pleasant vocal harmony on “Wait in Line” as well as probably the most impressive guitar solo I’ve heard from the band on “Eyes Peeled.” Punk bands seem apprehensive about sticking a guitar solo within their aggressive and swift songs perhaps at the risk of sounding too conventional, but METZ implements them seamlessly although infrequently. The album’s last track “Kicking a can of Worms” is a fitting closing track that fades with the apropos texture-heavy wall of feedback. 

This is a can’t miss 2015 punk rock and noise rock record that should please fans of both of those genres. METZ create a really enjoyable rock record that effectively captures their huge sound and unhinged live performance. While the band is hardly trendsetting with METZ II they are proving they can make this style of album as well as anyone currently can. METZ are undoubtedly a dangerously abrasive force to be reckoned with.  

7.5/10 
-
Tom K. 
4/28/2015


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